24 July 2010

Nasty porcupines

I was reading Marco Polo on gutenberg.com and came across this little paragraph about a region in eastern Persia.
When you have ridden those three days, you find a town called CASEM, which is subject to a count. His other towns and villages are on the hills, but through this town there flows a river of some size. There are a great many porcupines hereabouts, and very large ones too. When hunted with dogs, several of them will get together and huddle close, shooting their quills at the dogs, which get many a serious wound thereby.

Nasty little beasts. I think this one must be of the same breed.


maybe not.

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13 March 2007

The "Evil Empire" and the US Postal Service

Since I posted a few days ago on the US Postal Service (to which no one commented, btw), I have seen "300" which paints the Persian Empire as the personification of evil, degeneracy, and bad face art. Consequently I think it imporant for you to know that the motto,

"Neither rain nor hail nor sleet nor snow nor heat of day nor dark of night shall keep this carrier from the swift completion of his appointed rounds."

... is based on a passage from Herodotus describing the super efficient pony express service of the self-same evil Empire. Herodotus was impressed. In fact, the Greeks always had a love hate relationship with the Persians.

Don't know what the significance of this is, but I thought it was kind of interesting.

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12 March 2007

300 Spartans and history

The movie "300" hammers home the moral that real men are willing to strip to their speedos and face the enemy come what may. The battle of Thermopylae is presented as a type of Alamo, where Leonidas leads his men knowing they are simply a sacrifice to the struggle against the tyranny of the evil Persian Empire but one that will provide the rallying cry for all of Greece to unite together for democracy, the rights of man, heroic nudity and olive oil. Or something like that.

The problem is, we will never know exactly what happened because we really only have one complete source: Herodotus' history of the Persian Wars. Keep in mind that one of Herodotus' nicknames was "the father of lies." Only fools would attempt to explain what actually happened.

So here is my explanation. What did the battle of Thermopylae and the sacrifice of a 300 Spartans and about 1,500 other Greeks who stayed that last day?

Absolutely nothing. They held up the Persian army for two days. Xerxes spent more time resting his dancing girls than that. Rallying cry? Most of the Greek city states north of the Peloponnese other than Athens went over to the Persians. The Spartans were so worked up over the noble example of their king that they called for a total abandonment of northern Greece, including Athens, to defend Sparta herself.

The Persian army was large, but also well organized, well supplied, and well led (best book would be Peter Green's The Greco-Persian Wars - also check out this site for some maps). The Greeks were disunited, with many of them being part of the Persian Empire and more than willing to fight bravely for the King of Kings Xerxes. Others, even Spartans, betrayed the cause - guess who shows that Persians how to clamber over the mountains to come down behind the Spartans at Thermopylae. The Greeks guarding the pass simply high tail it. And all those evil Spartan councilmen like Theron who want to betray the resistance? Every single one of them was a Spartan warrior who had gone over exactly the same training as the 300 who follow Leonidas on his walk to the north. Where is the 'warrior ethic' that the original graphic novel was supposed to be about?

So what did save the day? The Athenian fleet at the battle of Salamis. They had no choice - everyone else, including the Spartans, had left them to face the Persians alone. It was the shop keepers, potters, carters, farmers, sail makers, and other craftsmen, the type of Greek warrior Leonidas openly derides in the movie, who man the Athenian fleet and against all odds destroy the Persian fleet while Xerxes watches from his throne.

But even that did not save Greece. Xerxes went home with what was left of the fleet and left the army, perhaps 40,000 men, to winter in northern Greece surrounded and protected by their Greek allies. It was the next spring that the last scene of the movie takes place: the battle of Plataea. A huge army of Greek hoplites (the heavy infantrymen) that was nearly as big as the Persian army attacked head on. The Persian resistance was ferocious and lasted most of the day. The Persian general, Marbodus, was killed fighting at the head of his troops. For a military buff like myself that shot of the Greek army going into combat was the single most disappointing scene in the movie. You get no idea of the deadly beauty of an articulated hoplite army moving into phalanx formation.

The Spartans did the best job that day, they were after professionals. But without all the other hoplites, most farm boys from the coalition of city-states that rallied to the cause after the Athenians had forced the Persian fleet to retreat, their would have been no victory.

And the Persians would have come back.

Thermopylae was a small scale fiasco due to treachery and as far as I can tell, did virtually nothing for the cause until after the war, when old men like Herodotus sat around the fire and crafted the noble tale of heroic resistance to all the unleashed forces of tyranny.

That's history folks. And now, I have been sick all day, it is after 2am, the cats are afoot in the house and I am off to bed.

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"300" - the movie review

Here's a pop quiz for all you apparently ill informed Christians out there in America (at least according to Claw of the Conciliator): who in the Bible is referred to as God's messiah, other than Jesus?

Answer is: Cyrus, Great King, King of King, King of all the lands, etc etc. And the Lord's Anointed. (By the by, that is the EVIL PERSIAN EMPIRE of the new movie "300" we are talking about here. And boy, is it EVIL!)

What did he do to deserve such a rave from the Children of Israel and their God? He united civilization under an enlightened and fair rule, one that revered law and attempted to right the wrongs done to down trodden minorities like the Babylonian Jews, who were given Persian funds and a military escort to return to Jerusalem and rebuild their temple. Cyrus and his putative descendant, Darius (he of the Battle of Marathon), who begot Xerxes (the seven foot body pierced queen with the dreamy eyes and dreamier voice in "300") also get rave reviews from some modern historians, me among them. And rather than a meglomaniacal God-Emperor as shown in the movie, Xerxes, like his father before him, was a Zoroastrian. (Zoroastrianism -a warm close monotheistic friend of Judaism and Christianity)

Just thought I'd bring this to your attention so you are aware that "300" follows the pagan Greek view of the Persian Wars. It has little to do with what may have happened at the battle of Thermopylae, and even less about what it really meant to the Greek war effort, but it boils down the patriotic myth to its pure testosterone poisoned essence. The Persians are not merely evil, they are physically and morally warped, as well as sexual degenerates. I haven't seen such disgusting bad guys since the Baron Harkonnen in the move "Dune." And that is where the fun begins.

Because for a certain type of person, me, for example, plus the other four males who watched it with me last night, it is an exciting experience. It is great over the top, bombastic, but not quite mindless fun. The graphics of the movie are stunning, as stylized and thus as unreal as any Greek vase painting of the Trojan War.

Gerard Butler is riveting as Leonidas. When he is on screen the movie has weight and interest, when he is off screen, you begin to recover your wits and notice what a crock it all is. And yet, for all that, I was thoroughly entertained by it.

As one reviewer said, it is just about as violent as "Apocolypto" and twice as stupid. Yep - that about covers the down side. This ignores, however, the sere beauty of the ancient Greek landscape presented, the awesome scale of the battle scenes, and the brief but effective recreation of what hoplite warfare in the front ranks of a phalanx might have been like. No wonder Victor Davis Hanson likes it - he literally wrote the book on phalanx warfare!

The history is bunk and it hits you with the message right between the eyes, and then hits you with it again a little louder on the back of the head just in case you missed it. Subtle it is not.

And it is grossly unfair to the Persians. And the Athenians. And the Persian navy (half of which was made up of Greeks!). But the history side of this I will save for another day. As it is, some people with a tolerance for comic book blood letting and comic book moralizing will love this movie. Both the teenagers with us, Clovis and his friend Nate, loved it. They thought it was almost as good as "Sin City."

And a reader on Andrew Sullivan's blog insists it is will appeal even more to a different type of audience. Can't say I don't see his point! Wait til he hears about the Theban Sacred Band. In fact, in this movie the Spartans personify the "warrior ethos" of the Sacred Band. They fought to the last man too.

BTW, if anyone attempts to tell you this movie is making a statement about the War in Iraq, or anything else that has the remotest baring on current events, shun them! They are either a poseur or a complete idiot.

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